For the essay about over-citing obvious things, see Wikipedia: You don't need to cite that the sky is blue. State facts that may be obvious to you, but are not necessarily obvious to the reader.
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Then came the waiting. As years ticked by, there was the inevitable speculation the book and its author could be relegated to one-hit-wonder status. The August release of the Time Traveler film adaptation only heightened the anticipation.
Niffenegger is known for her creative experimentation in a variety of media.
Her artwork is widely exhibited. As they adjust to their new lives there, they begin to question their identities, the bonds of sisterhood, and even whether their aunt is really gone after all. Here the author discusses the writing process, her return to bookshelves and the artistic bliss that comes with owning your own day.
Tell me about the process of writing Her Fearful Symmetry. You said you deliberately set out to teach yourself to write a different kind of book.
Do you feel you succeeded with that? I think the two books are fairly different.
But the new book to some extent takes up where Time Traveler leaves off. It takes up with someone losing their lover, with the lover dying. And that turns out to be surprisingly difficult. Did you have an organizational process or structure that helped with that?
The first book was a bit of a continuity nightmare, and so I had all these timelines and charts and things. You wrote Time Traveler out of order; did you write this book from start to finish? I started with the scene where the twins land at Heathrow and get off the plane, and for the first couple of years of writing it, I thought that was the beginning of the book.
How long did the writing take, altogether? I began at the beginning of I kind of had the idea just as I was finishing Time Traveler, and initially in my head I had this apartment and this man who never leaves the apartment but is visited by this young woman.
And the apartment was very dark and oppressive and I knew that there was a cemetery bordering it. And also part of the project as it began to shape up had to do with the idea of writing what is essentially a 19th century novel but to set it in the 21st century and to have the people be modern people.
Did you actually live in London when you were researching and working as a guide at Highgate? Is that something you set out to do? Once I started to visit the cemetery—I had seen the cemetery back inand so I had an idea of what was there—but once I started to really research it, I just was in love with it.
Was there any of your experience in that? I have piles and piles and piles of notes. Are you thinking about doing that?
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